Can Theatre Change the World?

My answer to this question is yes indeed it can and for the better! Throughout history theatre has always been censored until recently because writers and directors work wasn’t something critics and their audiences wanted to watch, it wasn’t entertaining just a piece of work that touched upon a certain subject most people ignore inContinue reading “Can Theatre Change the World?”

Cockney Accent

Cockney Accent for Mojo Traditionally spoken by working class Londoners especially from the East End. Here are some tips I am using to get into the accent: Drop the letter “t” and “k” from the middle of words. “Scottish” becomes “sco’ish” “Blackboard” becomes “bla’board” Drop the “h” from the beginning of words: “Hopefully” becomes “Opefully”Continue reading “Cockney Accent”

Augusto Boal

Theatre of the Oppressed Augusto Boal, who in my opinion was an extremely clever man, created “Theatre of the Oppressed” as a means to provoke social and political change with techniques that bond the audience to the performer. It gets them thinking about oppressive behaviour and how it affects the world around us. They becomeContinue reading “Augusto Boal”

MOJO

For our first official play we are performing Mojo by Jez Butterworth, a dark comedy based in Ezra’s Atlantic Club, Soho, London, 1958. It’s a male based cast with only 6 main characters, no smaller characters are included and it consists of two acts only. The plot is centered all around the club, where twoContinue reading “MOJO”

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